Secret Life of Ely Cathedral

I think I have hinted that I've been making some work for an exhibition  but I didn't want to give anything away until the work went up.  Well it's finally happened- I'm exhibiting as part of "The Secret Life of Ely Cathedral"  

There are 19 artists from Ouse Life  and the show has now been up for a week.  If you are anywhere in or near Ely, come and see it- it's really worth while.  There are sculptures, paintings, prints, hand made books and of course textiles exhibited throughout the Cathedral. My fellow artists have done some amazing work and we've had some great comments.

For me, one of the the most exciting 'secrets' of the cathedral is the archive which is held by Cambridge University. When I first started to look at the documents I was attracted by the beauty and patterning of the scripts themselves and I started to use these in the textiles. But as I progressed to looking at more recent documents I found the content really fascinating.  When I say 'recent', I am talking about documents from about 1630 onwards.  About that time, everyday texts begin to be written in English rather than Latin and the writing becomes more legible to the modern eye. 

The audit books and accounts were really fascinating - bills paid to workmen, grocery shopping, taxes and charity payments were all itemised and receipts signed on scraps of paper. 

I chose St Catherine's chapel for the siting of the work - a beautiful peaceful place which is accessible to anyone  for silent prayer and meditation at any time.

And I printed 18 banners - one for each of the archways which curve round the chapel. I wanted the banners to read as a single artwork.

Each banner is different. The designs are a combination of sketches I did of architectural elements and the archive texts. 

It felt like I was 'dressing' the chapel

So here's a detail across 3 of the banners showing texts from an audit book - payments for  labour and workmanship. The music is written instructions for the choir.

The altar cloth started as a print of the choir music texts.  But I wanted to add more to this central fabric. So I decided to overprint using texts that related to the giving of charity.  I thought this might be pertinent to the altar being a place of high holiness and an example of  charity to strangers that is still relevant today. "For a poor soldier come from the sea"  "Given to Widow (name not legible) for Michaelmas to Midsummer" and "Given to Christian poor travaillors (ie workers not travelers) on making  their vows at Michaelmas".  The symbol used for the Christian Poor is a central motif and some of the texts caused me to wonder  how much charity was conditional on being a Christian and making your vows in1640. 

Transform a Textile

Every year Barbara from  the MX Dyers list, very kindly sends out an "ugly' fabric that she has dyed. Her challenge is for  the person who recievesthis fabric to transform it in some way, using Procion dyes as part of the process.

This year I got a fabric which was more boring than ugly- A textured pale peach fabric and this is the story of what I did to it:

So, this is what I recieved.

First I hand painted it roughly with some dyes I had left over from other work, allowing the peach to modify the colours and show through in places.

Thinking it looked a bit like a rusty screen,  I screen printed on some 'graph paper' using textile paints to give it a screenlike texture

Next, I screen printed with some thickened dyes using a photoscreen I made some time ago from some marks I had made with charcoal.

And finally, I selected a motif from the larger screen and printed with a discharging agent to give some added illumination to th ein between spaces.

Detail of the final surface.

After an intense week of teaching summer school, it's really good to be challenged to do some work of my own,   - so thank you Barbara!

Ugly fabric transformation

Barbara from MX Dyers List sent me this fabric as part of a challenge to see how it would be transformed. I've had  alot of fun with it!

Overdyed yellow

Overdyed blues

Screen printed with discharge

And in detail

"Granny Anne" cloth screen print

I have these lovely pictures of my grandmother  - one from when she was a child with her hair in ringlets - probably specially done for the photo and her socks falling down her calves; and the other of her on her wedding day.  A while ago I made photoscreens of these and every now and then I print something with them.  This time I had a  cloth that I had dyed and printed with a doily and some lace. It sat folded (well actually crumpled) in my workroom for a year until suddenly I remembered these two screens. And so...............

I felt it needed something else

So I made up this screen with some text in her handwriting.

The cream has been discharged and the brown is printed on with pigment and paste

  The cloth is actually a sort green - it looks blue on some of these photos